There is much to be said about the release of what is being referred to as the Kabul/Afghan War Diary or Afghanistan War Logs. Originally delivered to Wikileaks and simultaneously published by The Guardian, New York Times and Der Spiegel.
There is much to be said about the release of what is being referred to as the Kabul/Afghan War Diary or Afghanistan War Logs. Originally delivered to Wikileaks and simultaneously published by The Guardian, New York Times and Der Spiegel.
NB: This video has graphic images of killing. Viewers should exercise discretion. You Tube recommends that the video is not viewed by anyone under the age of 18.
I’ve been away for a couple of weeks and so have not been able to respond to the wikileaks ‘Collateral murder‘ video.1 Like many others I was initially struck by the way the video exemplifies the contemporary intersection of video-gaming, spectacle and warfare. Indeed, the uncanny resonance of the footage with the ‘Death from above’ mission in Call of Duty 4: Modern Warfare seem to invite the viewer to draw uncomfortable parallels.
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Modern Warfare 3 and the retreat from precision
Tuesday, November 29th, 2011Recently I finally found time to play my way through the single-player campaign of Modern Warfare 3 (MW3). As those who follow me on twitter know, I had been anticipating MW3 for a while now. Throughout the lead-in to the game’s release we had been treated to epic trailers showing the destruction of cities such as New York and Paris.
Given that I am currently trying to write about visions of urban cataclysm, playing my way through an interactive – if not immersive – rendering of such visions of urban violence had been on my to-do list for a while.
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Tags: AFPAK, Modern Warfare, Modern Warfare 3, MW3, precision, war, warfare, XBOX360
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